All course waivers and substitutions are reviewed by committee and must be approved by the associate dean of academic affairs. The program requires 16 units. Outside the Box [Office] and Focus Features invite you and a guest to attend. For more information, see here. Immersive Media This is a unique program designed for students who wish to receive intensive training for non-fiction and fiction writing for screen and television. As new tools for entertainment and education develop, they continually push toward enabling players to completely become the heroes and heroines of their own stories. An architectural hobbyist, Lucas laid out the original designs for the project, inspired by the Mediterranean Revival Style that was used in older campus buildings as well as the Los Angeles area. The Division of Cinema & Media Studies provides the kind of in-depth knowledge of media and entertainment that serves as a The curriculum is designed to prepare a select group of students for careers as producers and executives of film, television, and new media. These include classic character animation, 2-D and 3-D storytelling, performance capture, visual effects, motion graphics, stop-motion, experimental filmmaking, installations and multimedia, documentary animation, and visualizing scientific research. Consequently, there is an emphasis on cross-disciplinary course work that ensures writers get behind the camera; cinema and media studies scholars edit footage; and production majors examine the canon from a rigorous academic perspective. Note: Instructor availability for a particular course or section cannot be guaranteed. The School of Cinematic Arts curriculum relies heavily on in-class participation and interaction between faculty and students. April 11, 2023, 7:00 P.M. Norris Cinema Theatre at the Frank Sinatra Hall, 3507 Trousdale Parkway, Los Angeles, CA 90007. The USC Mobile & Environmental Media Lab is known for its pioneering research efforts in the area of 'Ambient Storytelling' through the application of Virtual, Augmented, and Mixed Reality technologies to develop unique interactive location-based experiences. The minor in animation offers students an introduction to the theory and practice of animation, including its relationship to the history of art and cinema, creative writing, and basic film production. He is seen holding a fencing foil in one hand and a script in the other to reflect his strong ties with the USC Fencing Club. Email: admissions@cinema.usc.edu; studentaffairs@cinema.usc.edu With faculty guidance from both universities, the students must negotiate cultural differences both in front of and behind the camera. School of Cinematic Arts - SCA 250 See the Keck School of Medicine of USCfor course requirements. In today's global culture of multiple screens and diverse forms of media, every industry needs innovators who are able to 14.5K Followers. This represented the largest single donation to USC and the largest to any film school in the world. by email to DPSRecords@dps.usc.edu or in person at DPS at No transfer credit will be accepted in lieu of CTPR 290, CTPR 294, CTPR 295, CTPR 310, CTPR 507andCTPR 508and any advanced film production courses. From ticker; variety.com on 2021-04-15 23:02 Frank Price to Step Down as USC School of Cinematic Arts Board Chair; Donna . Unless otherwise noted, the area code for all telephone and fax numbers is 213. The program requires 20 units. For more information, see here. Media and Social Change The minor in entertainment industry provides students interested in media content creation with a focused curriculum that will give them insight into the economic factors and professional practices that influence the creative process, and how they interact with social, historical, technical and aesthetic elements. The USC School of Architecture fuses history, theory, technology and design into a variety of degree programs that prepare students for the rigors of the professional design practices. Graduates of this joint program are well-equipped to apply their skills to both business and For more information see here. Each program has its own advisement system. Through elective choices students may focus their studies on their specific area of interest, including visual effects, motion capture, virtual reality, modeling, or character animation. Game Audio Minor students may also choose to earn an Honors designation by completing 6 additional units of course work, culminating in a capstone thesis during the students final year. Announced yesterday, GoPro Awards is GoPro'salways-on . The Writing for Screen and Television Certificate provides an established writer, domestic or international, with a one-year program of study. Game Audio Please note: the SCA Summer Program consists of . This program requires 44 units. While rubbing elbows with future filmmakers like John Milius, Walter . The USC School of Dramatic Arts' conservatory environment blends with the full academic experience found at a major research university. Under special circumstances waivers and substitutions are granted; check with the Cinematic Arts Office of Student Affairs. Entertainment Industry Everywhere you look these days there are screens that need content. The program requires 24 units. Maxine founded the . Hands-on research experience gives MA+P students an edge while also helping them get acquainted with the newest media tools in the world. Washington, DC; Chicago, IL; New York, NY; San Francisco, CA; Dallas, TX; Search. Students will gain insight into the professional practices of creating media content, analyzing existing content, and learning how they can influence the future by integrating social issues into the work they are doing in related fields. For more information, see here. The degree requires 128 units. For more information, see here. Participating students enroll in CTPR 515 Global Exchange Workshop(2 units). Donations from film and game industry companies, friends, and alumni have enabled the school to build the following facilities:[9]. For more information, see here. This certificate program provides graduate-level education in various aspects of the business of film, television and new media. Education Los Angeles, California cinema.usc.edu Joined June 2009. School of Business. Frank Price, who founded USC's School Of Cinematic Arts Board Of Councilors, will step down as director, with Donna Langley taking over. . Produced by Robert Kirkman, David Alpert, Bryan Furst, Sean Furst, and Chris McKay. The University of Southern California offers an outstanding collection of art schools within a research university settingunique amongst its peers. It provides students with an opportunity to create both personal and collaborative work in a wide range of genres, from traditional character to contemporary experimental and computer animation. For more information, see here. Online - Access Information Sent Via Email, 7:00 P.M. Tweets & replies. Participants from around the world have an opportunity to attend intensive, creatively demanding and satisfying filmmaking courses. Game Development and Interactive Design, BFA Dedicated to immersive experience design and core best practices from the games industry, this program is for students who are passionate about the games industry and driven to innovate the emerging future of entertainment. Los Angeles, California, United States Act as liaison and first point of contact between SCA guests and Director of Programming . David Weitzner, Director Game Art, BFA The School of Cinematic Arts rarely accepts media production courses taken at other institutions to fulfill degree and minor requirements. The program requires 24 units. The USC School of Cinematic Arts recognizes that a student can only truly excel in his or her chosen area of expertise after exposure to all elements of the art form. Varied. Transfer policies for PhD degrees requireadvisement and approval of the division chair. Game Animation Arts, Film Screening, Exhibit, Lecture / Talk / Workshop / Center for Black Cultural and Student Affairs / Fisher Museum of Art / School of Cinematic Arts / School of Dramatic Arts Films Reflecting Ourselves (F.R.O Fest) Friday, February 17, 2023, 6:00 pm - 8:00 PM In honor of Black History Month, we will be screening films by Black. Arts In Action supports and creates work that builds upon USCs pledge to address societys most pressing issues. Sheila M. Sofian,Co-Director For more information, see here. The School of Cinematic Arts also has an active Board of Councilors who help guide the future direction of the School and work with the Dean to ensure the School is properly resourced. Application Deadline: December 1st. The PhD in Media Arts and Practice program offers a rigorous and creative environment for scholarly innovation as students explore the intersection of design, media and critical thinking while defining new modes of research and scholarship for the 21st century. USC Cinematic Arts Search Menu. Students may apply in the spring or fall semester. The official account of the USC School of Cinematic Arts. For more information, see here. Game User Research The USC Thornton School of Music consistently ranks among the top one percent of the nations music schools and conservatories. experiences. & McClintock Avenue. The Arts and Humanities Initiative highlights USCs commitment to interdisciplinary approaches, featuring a spectacular selection of events conceived and organized by faculty and schools throughout the university. Administrative Assistant II in School of Cinematic Arts; Los Angeles, CA. Since its founding in 1929 as the first course of study in film at any college or university in the United States, USCs cinema program has consistently set academic and professional standards for excellence. The program requires 24 units. 184 Following. Many of our courses are taught in a collaborative workshop environment and our theoretical lectures are driven through in-depth classroom discussion and analysis. The BFA in Cinematic Arts, Film and Television Production is granted through the School of Cinematic Arts and requires 128 units. Themed Entertainment Block, MFA, Electronic Arts Endowed Chair in Interactive Entertainment: Tracy Fullerton, MFA, Hugh M. Hefner Endowed Chair for the Study of American Film:Tara McPherson, PhD, The John C. Hench Endowed Division Chair: Teresa Cheng, BA, The Michael Kahn Endowed Chair in Editing: Nancy Forner, BA, The Mona and Bernard Kantor Endowed Chair in Production: Mark J. Harris, BA, The Kortschak Family Endowed Division Chair in Film and Television Production:Gail Katz, MBA, The George Mlis Endowed Chair in Visual Effects: Michael Fink, MFA, William Cameron Menzies Endowed Chair in Production Design: Alex McDowell, BFA, John H. Mitchell Endowed Chair in the Business of Entertainment:Bonnie Chi, BA, Stephen K. Nenno Endowed Chair in Television Studies: Ellen Seiter, PhD, Jack Oakie Chair in Comedy: Jack Epps Jr., BA, Mary Pickford Endowed Chair:Gail Katz, MBA, The Katherine and Frank Price Endowed Chair for the Study of Race and Popular Culture: Todd Boyd, PhD, John Ricitiello Endowed Chair in Games and Interactive Media:Danny Bilson, BA, Kay Rose Endowed Chair in the Art of Sound and Dialogue Editing: Midge Costin, MA, The T.C. USC Cinematic Arts. Founded in collaboration with the Academy of Motion Picture Arts and Sciences in 1929, the USC School of Cinematic Arts has fueled and mirrored the growth of entertainment as an industry and an art form. Digital Studies Schedule an on-campus visit. In addition, the school has a record-breaking number of endowed chairs in the discipline; production facilities that rival industry counterparts and extraordinary faculty and staff. students beyond their current artistic boundaries. writing, computer graphics, interactive game design, and the business of the industry, among many others. The Expanded Animation Research + Practice program offers an MFA curriculum that focuses on animation created from an artist's and The USC School of Cinematic Arts trains fully-formed media makers, collaborators, and scholars situated to flourish in their chosen career path. Annual Security & Fire Safety Prospective Student Notification 2022. This minor provides a grounding in game design and systems thinking, while providing a theoretical backing and skills in audio design and composition to prepare students to design successful audio for the games industry. foundation for jobs across the industry and in the classrooms as renowned media scholars. Aug 2022 - Present8 months. For specific information on admission and application procedures, contact the School of Cinematic Arts at (213) 821-2515 or the Information Technology Program at (213) 740-4542. FilmSchool.org USC Acceptance Rate: 32% (73 out of 230 applications) Lowest Reported Minimum GPA: 2.4. [5] Wang Family Endowed Chair in Cinematic Arts:Akira Mizuta Lippit, PhD, The Haskell Wexler Endowed Chair in Documentary:Michael Renov, PhD, The Robin Williams Endowed Chair in Comedy: Barnet Kellman, PhD, Dino and Martha De Laurentiis Endowed Professorship: Mary Sweeney, MA, Presidential Professor of Cinematic Arts: George Lucas, BA, Judge Widney Professor: Robert Zemeckis, BFA, Provost Professor of Communication, Journalism, and Cinematic Arts: Henry Jenkins, PhD, The Mark Burnett Summer Program Endowed Chair:Kenneth Williams, Distinguished Professor: Mark J. Harris, BA, Professors: Tom Abrams, MFA; Danny Bilson, BA; Bruce Block, MFA; Don Bohlinger, MFA; Mark Bolas, MS;Todd Boyd, PhD; Ted Braun, MFA; Teresa Cheng, BA; Midge Costin, MA; Elizabeth M. Daley, PhD; Jack Epps Jr., BA; Michael Fink, MFA; Scott S. Fisher, MS; Tracy Fullerton, MFA; Mark J. Harris, BA; David Howard, MFA; Aniko Imre, PhD; David Isaacs, BA; Priya Jaikumar, PhD; Henry Jenkins, PhD; Jeremy Kagan, MFA; Gail Katz, MBA; Barnet Kellman, PhD; Scott Kroopf, BA; Lisa Leeman, BA; Akira MizutaLippit, PhD; Tara McPherson, PhD; Christine Panushka, MFA; Amanda Pope, BA; Jason Reisig, BFA; Michael Renov, PhD; Howard A. Rodman, BA; Ellen Seiter, PhD; Tom Sito, BFA; Kathy Smith, BA; Sheila M. Sofian, MFA; Mary Sweeney, MA; Michael Taylor, BA; Robert Townsend, DFA: John Watson, MA; Holly Willis, PhD, Associate Professors: Linda Brown, MFA; J. D. Connor, PhD; Pamela Douglas, MA; Lan Duong, PhD; Nitin Govil, PhD; Helaine Head, BA; Georgia Jeffries, BA; Andreas Kratky, PhD; Richard Lemarchand, BA; Everett Lewis, MFA; Andrew Nealen, PhD; Laura Isabel Serna, PhD; Peter Sollett, BFA; Stephanie Spray, PhD, Assistant Professor: Giancarlo Cornejo, PhD, Professors of Practice: David Balkan, BA; Irving Belateche, MA; Gordon Bellamy, BA; Peter Brinson, MFA; Vicki Callahan, PhD; Christopher Chomyn, MFA; Stephen Flick, BA; Nancy Forner, BA; Pablo Frasconi, BFA; Brenda Goodman, BS; Marientina Gotsis, MFA; Eric Hanson, BA; Virginia Kuhn, PhD; Elisabeth Mann, MFA; Alexander McDowell, BFA; Thomas Miller, MD, MFA; Maks Naporowski, BA; Michael Patterson, BFA; Candace Reckinger, MFA; John Rosenberg, MFA; Robert Schiler; Mark Shepherd, MFA; Ronald Taylor, BA; Sonja Warfield, BA; David Weber, MFA;William Yahraus, MA, Associate Professors of Practice: Steve Albrezzi, BA; Susan Arnold; Janet Batchler; Kiki Benzon, PhD; Michael Bodie, MFA; Richard Burton, BA; Reine-Claire Dousarkissian, MA; Dianne Farrington, MA;Evan Hughes, MA; DJ Johnson, MFA; Suhail Kafity; Margaret Moser, MFA; Angelo Pacifici, BArch; Michael Provart, MFA; Elizabeth Ramsey, PhD; Jesse Vigil, MFA; Jennifer Warren, BA; Shelly Wattenbarger, MFA; Tristan Whitman, MFA, Assistant Professors of Practice:George Carstocea, PhD; Jeremy Deneau, BA, Visiting Associate Professors: James Huntley, MS;Aisling Kelliher, PhD; Jennifer Wild, PhD, Visiting Professors:Kara Keeling, PhD; Edward Saxon, MFA, Part-time Faculty: Bayo Akinfemi; Albert Albaladejo; Jesse Albert; Ioan Allen; Kate Amend; Yvette Amirian; Kari Antholis; Jordan Ariel; Andrew Balis; David Baron; Deborah Baron; Craig Barron; Maurice Bastian; Diego Berdakin; Sandra Berg; Alan Berger; Fred Bernstein; Dick Block; Mitch Block; Skye Borgman; Sean Bouchard; John Bowman; Elizabeth Brauer; John Brennan; Paul Bricault; Musa Brooker; Michael Broukhim; Robert Brown; Bonnie Bruckheimer; Ed Callahan; Trey Callaway; Martzi Campos; John Carpenter; Will Carter; Susan Cartsonis; Phil Casnoff; Michael Cassutt; Julian Cautherly; Bonnie Chi; Peter Chung; Jacque Cofer-Edmonds; Simon Coke; Michael Connors; Akela Cooper; Ken Cosby; Sean Covel; Tim Curnen; Martin Daniel; Kristen W. Davis; Johanna Demetrakas; Dariush Derakhshani; Annie DeSalvo; Heather Desurvire; Jon Dudkowski; James Egan; David Fain; Siavash Farahani; Ben Fast; Ron Fernandez; Jason Figliozzi; Bruce Finn; Mike Fischer; Paul Foley; Eric Freiser; Joe Garlington; Bonnie Garvin; Paul Gerard; Larry Gertz; Jeffrey Glaser; Karl Gnass; David Goetsch; Eric Goldberg; Jane Goldenring; Jarrett Golding; Richard Goldsmith; Margie Goodspeed; Ian Goodwin; Janet Graham-Borba; Mimi Gramatky Stradling; Amanda Green; Sharon Greene; Jordan Halsey; Jeffrey Hammer; Suzanne Hargrove; Pete Hawkes; Chevon Hicks; Liz Hinlein; Joe Hoffman; Todd Hoffman; Alan Holzman; Sean Hood; Caroline Hu; Joan Hyler; Jason Inouye; Alex Jablonski; Brandon Jeffords; Yong Duk Jhun; Jeanne Jo; Toni Ann Johnson; Moses Journey; Juli Juteau; Aaron Kaplan; Roeban Katz; Collin Kelly; Thomas Kemper; Liz Keyishian; Tim Kirkman; Randal Kleiser; Michael Kontopoulos; Jeffrey Korchek; Paul Kowalski; Marianne Krawcyzk; Stu Krieger; Jon Kroll; Lucas Kuzma; Morgan Land; Sheldon Larry; Clifford Latimer; Ken LaZebnik; Domin Lee; Elizabeth Lee; Robert Levin; Adam Levine; Andrew Licht; Dan Lupovitz; John Mahoney; Abram Makowka; Laird Malamed; Leonard Maltin; Carolyn Manetti; David Maquiling; Peter Marx; Leslie Mathieson; Frank McAdams; Jim McGinn; Rebekah McKendry; Mary McNamara; Bill Mechanic; Dagen Merrill; Monica Mitchell; Chris Morocco; Tatiana Mulry; Robert Nashak; Rob Nederhorst; John Nee; Sahand Nikoukar; Joseph Nussbaum; Dave OBrien; Jim OKeeffe; Sev Ohanian; Bob Osher; Joel Parker; Rick Parks; Justin Parpan; Joe Peracchio; Rod Perth; Brian Peterson; Paul Petschek; Wendy Phillips; Mary Posatko; Anne Postman; Kate Powers; Wayne Powers; Bill Prady; Ross Putman; Robert Ramsey; Phil Ramuno; Gary Randall; Amy Reed; Sandy Reisenbach; Lyz Renshaw; Silvia Rigon; Vincent Robert; Sam Roberts; Peter Robinson; Jason Rosenfield; Roland Rosenkranz; Torrie Rosenzweig; Jeremy Royce; Nina Sadowsky; Leander Sales; Mike Saltzman; Henry Sanchez; Jimena Sarno; James Savoca; Julie Sayres; Nevin Schreiner; Phil Schwartz; Matthew Scott; Debby Seibel; Joselito Seldera; Bita Shafipour; Rick Shaine; Toi Juan Shannon; Bobby Smith, Jr.; Katie Smith; Jim Staahl; Josh Staub; Katherine Steinbach; Noah Stern; Scott Sturgeon; Danny Sussman; Neely Swanson; Beth Sweeney; Ella Taylor; Aaron Thomas; John Underkoffler; Marcel Valcarce; Pam Veasey; Ligiah Villalobos; Jeffrey Vlaming; Gary Wagner; Dahvi Waller; Gene Warren III; Miles Watkins; David Weitzner; Nicole West; David White; William Whittington; Tyger Williams; Chase Winton; Cynthia Woll; Russ Woody; Frank Wuliger; Chris Wyatt; Qianqian Ye; Ashley York; Gil Zimmerman; Ed Zobrist, University Professor Emerita: Marsha Kinder, PhD, Professors Emeriti: Drew Casper, PhD; Ron Curfman, MFA; Trevor Greenwood, MA; Richard Harber, MA; David E. James, PhD; Richard Jewell, PhD; Edward Kaufman, PhD; Woody Omens, MA; Morton Zarcoff, MA, Associate Professors Emeriti: Robert Miller, PhD; Dennis Wixon, PhD, Research Professor Emeritus: Richard Weinberg, PhD, Professor Emeritus of the Practice of Cinematic Arts: Jason Squire, MFA.

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